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Historical Study – Coat of Arms Painting

Over the past several years, I have been studying the process of historical paintings.  This particular painting was made in conjunction with Pearce Arts, and we took turns working on various portions of it.  Here are the steps to this final painting:

An oak board was obtained for the panel, and cut to size.

3 coats of rabbitskin glue were brushed on to the panel.  Because this will gel at room temperature, the glue needs to be kept in a double boiler when applying.  A piece of linen was soaked in RSG and placed atop the board.  This was left to dry.

Plaster was slaked to a silky finish, mixed with RSG and water in a double boiler, and 8 coats of slaked plaster were applied.

The surface was pounced with charcoal and scraped smooth.

The design was transferred to the surface and inked.

The areas which would take gold were prepared with size.

2 layers of gold leaf were applied.

Egg tempera was prepared with pigment and applied.

Oil paint was prepared as a second layer atop the egg tempera.

Final details were added.

The frame was prepared and gilded.

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